Blackwater Tango
Prologue
He had six of them once. Now there were four.
This displeased him.
As a collector of fine things, there was a
commonly accepted amount of subject matter required to be
considered a "collection," though these terms involved
semantics, which the man cared nothing about. He was more
stimulated, or to be perfectly accurate, tantalized, by
motivations. The kind of involuntary, primal urges that typically
drove ninety percent of human behavior. Of primary interest to him
was the process the mind went through when the walls closed in,
when there was no longer enough breathing room or visual space to
feel like a free person with free will and freedom of choice.
In particular, incarceration.
Myriad effects could be studied in response to
this stimulus, to creating a false, artificial environment of
incarceration. Thought processes, behavior patterns and changes,
sensory perception, emotional responses, problem solving, group
interaction and decision-making. It had been a curious epiphany to
discover that according to his own research freeing oneself from
the predicament of incarceration came higher on the needs
hierarchy than any Maslow had previously established. It was an
epiphany worth writing about and sharing with the scientific
community. If the manner in which he had constructed his control
group were not, in fact, a felony, perhaps a book might have been
written on the subject.
Of the six, one had died of natural causes, though
he often laughed when he thought of that phrase. Death of any kind
was anything but natural. Of course, in the most abstract sense of
the word, death was a process, a story not unlike birth and life,
full of details and drama with a clear beginning and end. In
between birth and death, well, that was unimportant. But the
procedure of taking another’s life with your own hand or, in the
alternative, setting in motion a turn of events that led to the
same conclusion, was the most unnatural of all activities. And,
for him, this procedure satisfied a need more vital than oxygen to
the lungs. One died, one escaped, leaving now only four. Four
prisoners-of-war, prisoners of the war he declared on the rest of
civilization, and even they were only half-living by now. The
fifth link, the MIA, the escapee, was all he thought about.
Besides the daily observations and experiments he had to contend
with, one had sniffed out a path of egress and found a way,
calculated the right time, amassed all of the needed accouterments
to carry out this elaborate scam and left him. The thought of it
made the lingering shadows of prior stomach ulcers pool with acid.
Made his hands wring with rage, his head flood with a molten heat.
He would find her. One day he would find her and make her suffer
worse than any prisoner of war ever had. Every physiological
function in his body and every neurological impulse in his brain
depended on this one execution. For execution was the correct word
for it, after all.
Some men are capable of just one crime. One crime
that evolves out of a crack in the glue of sanity and
righteousness that binds together the healthy balance between the
human heart and mind. And this crack happens as the result of one
incident, one betrayal, a proverbial straw on the camel’s back.
After the crime is committed and fully absorbed, the mind returns
to its normal patterns of processing as if none of it had ever
happened. But then other men, of stronger mental constitution, can
spend a lifetime perfecting a single crime, painstakingly trying
time after time to finally get it right.
Returning his gaze to the monitor on the desktop,
he picked up a pen and started the usual observations. Left to
right. "Subject Number One," he began writing, "lay
like a shivering fetus, curled up and facing the wall looking
blankly at the wash of white, chalky cinderblock. Subject Number
Two grinding teeth and scratching long red lines into the skin on
her left forearm. In a few moments, the skin will bleed and
subject will scream bloody murder. Same as every time before.
Subject Number Three stands in the upper right corner of the cell
with her hand on Subject ..."
"Yes, that too."
The girl mechanically obliged.
"And the socks and shoes. Hurry up, get them
off."
The man wrote the girl’s number on the top of a
blank page. He gazed upon her body with sinister eyes, planning
with thoughtful precision what would happen next. The game was
redundant. And though his mental stability required this type of
regularity, a part of him craved something new and exciting, a new
wrinkle or different response. Something to keep him up nights
pacing the concrete floors, something to spin his intellect into
frenzied circles. He loved a good puzzle, and the game was
becoming too routine to mean much anymore.
"Now, tell me how you’re feeling."
For a long time the girl said nothing. The once
vibrant hue of her blue eyes had faded from medication and fatigue
and grown cloudy from malnutrition; her skin had a sallow
jaundiced cast, her lips barely distinguishable from the color of
her skin. Life was gently fading from her just as he had expected,
or hoped. There were vertical stains on her cheeks where tears had
fallen. She was sitting on the edge of a cot with her bare feet
touching the cold concrete floor. Now, with the man facing her,
waiting anxiously for her anticipated response, her face scrunched
up and trembled, lips contracted into a wrinkled mound of
dehydrated flesh and eyes squinted almost shut. But no tears fell.
Were there none left? Was she saving them for when she could
release them in private? He doubted she had this kind of control
or cognitive ability left. After all, that was the point, wasn’t
it? Because there was no privacy. He watched them, all of them,
constantly on expensive, sophisticated monitors. Impatience showed
on his face and demeanor now as he waited for the response that
would not come. In his chart for this subject, he checked the
behavior profile and asked again. And again. How are you feeling?
How -- are you feeling? The questions were tailor-made, the tone
and volume of his voice, duration, according to a precise set of
self-composed clinical procedures based on years of research on
similar control groups. There was information in his extensive
database on what was too loud, too fast, empty, cold or hot,
according to nearly every conceivable scenario.
"How--do--you--feel?"
It was the type of question that usually elicited
one of three possible responses native to the emotional effects of
incarceration. Response One: Bored resignation, a variation on one
of the many dissociative disorders, to the stimuli resulting in no
verbal response whatsoever and a litany of movements including
shrugged shoulders, vacuous staring, body limp and hunched over
due to a severely weakened skeletal system.
Response Two: Mechanical, quick, one or two-word
verbal response, such as ‘hot’ or ‘too cold’ or ‘I don’t
know.’ This one was typically accompanied by body language based
on fear or vulnerability -- knees bent with arms wrapped tightly
around them with the head angled down and resting on the knee
caps, sometimes laying fetus-like on the floor or the bench.
The third response was by far the most exciting
and elusive, but well worth waiting for when it actually
manifested. He referred to it as the rage-response, incorporating
a variety of words articulated in a loud, often frantic and
uncontrolled verbal tone and behaviors ranging from flailing arms,
leaping up, banging on the walls or floor or self abuse. In this
scenario, the verbal stimuli of ‘how do you feel’ served as
the proverbial last straw. Once, some years ago, a subject had
actually physically attacked him, rising from the floor and coming
at him with clenched fists, wild eyes and a high-pitched freakish
wail. It had taken him months to come down from the rush. How a
single phrase, an innocent question could cause such a violent
release of not only inhibition but deep emotion was of eternal
fascination and, after all, precisely what he had studied all his
adult life.
A thin stream of tears fell down the subject’s
white, flaccid cheeks. And oddly, the eyes did not so much as
blink, nor did the facial muscles exhibit any typical signs of
crying. She was not weeping out of sadness or grief; this was
obvious. It more fit the profile of the soul crying out for help,
begging to be rescued from desperation. The man recorded this
unusual response in his notebook and again stuck to the accepted
curriculum that he had created.
"Now, please, how do you feel?" he
asked, less able to control his impatience than before.
"I’m not afraid to die," came an
unexpected clear, stony voice. Her body remained motionless,
almost frozen.
"You’re not going to. I have something much
more delicious in mind." The man could barely restrain the
smile that crept across his lips. "You’re going to
live."
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